The Elite, the Cosy and the Cosy bus

Annette Kuhn

Until the 1920s, Harrow was little more than a village ten miles or so outside London; but by the end of 1910 the area already boasted three cinemas, two of which survived into the 1920s and beyond. In 1920, at the start of a population boom that was to rapidly transform a semi-rural area into a suburb of the metropolis, they were joined by two more: The Electric Cinema in Station Road and the Elite Picture House in Harrow-on-the Hill. In the mid 1920s the Electric Cinema became a live theatre, re-opening as the Harrow Coliseum. The Elite, however, continued as a picture house, and by the end of 1931 had undergone a makeover, the installation of a sound system being followed by a range of other improvements: 鈥淢achines and projectors have been brought up-to-date, enabling clear and perfect pictures to be shown鈥. A new canopy has been erected鈥nd those who unfortunately have to wait in a queue can do so under dry conditions should the weather be adverse.鈥 All the seats are constantly overhauled, thus ensuring perfect comfort for all鈥.鈥 Even the staff had been spruced up: 鈥淭he girl attendants have been provided with new and attractive uniforms, while two uniformed page boys are in attendance in the vestibule to attend to the wants of patrons.鈥 (Harrow Observer, 13 November 1931) Meanwhile, the cinema had acquired a new name: the aspirational-sounding Elite was now the more approachable Cosy.

The Cosy Cinema in 1931, with page boys and canopy

In April 1930, the Elite鈥檚 management had posted an announcement on the front page of the local newspaper: a 拢50 prize was being offered for a new name: 鈥淪hould more than one competitor submit the title used, the prize money will be divided.鈥 (Harrow Observer, 25 April 1930) The result was revealed just a few weeks later: 鈥淭he new name competition was an enormous success and the winning title is COSY CINEMA. An invitation to visit the cinema and receive the prize money will be sent to the successful competitors.鈥 (Harrow Observer, 9 May 1930)

Harrow Observer, 9 May 1930

Interviewed in the 1990s, two of the Harrow participants in Cinema Culture in 1930s Britain recall the Elite鈥檚 renaming.

In the course of a series of interviews at her home, arranged by Harrow Public Library Housebound Readers鈥 Service, Nancy Carrington mentions the Elite/Cosy competition more than once. On 7 July 1995, for instance (NC-95-196AT001):

Nancy Carrington: 鈥he Cosy Cinema. On the Hill. And my niece named that. She got five聽shillings in the old money.

Interviewer:听搁别补濒濒测!?

NC:聽For naming that cinema. She had to guess. It was a–

Sue Nicholls [Housebound Readers鈥 Service]:聽She had to guess what, Nancy?

NC:聽Guess the name of the cinema. And they聽chose the Cosy.

SN:听驰别蝉.

NC:聽Obviously. So she got the money for it.

Int:听搁颈驳丑迟.

NC:聽She chose the Cosy.

Mrs Carrington鈥檚 niece鈥檚 five-shilling win suggests that the 拢50 pound prize had been divided between two hundred successful competitors.

Olga Scowen (OS-95-190AT001, 6 July 1995) also hints that the Cosy was actually far from cosy: 鈥溾he Cosy on the Hill. It was聽called the Elite at one time. They had a competition for somebody to suggest a聽name. And somebody suggested ‘Cosy’. Well聽I would never聽have called it that.鈥

As a unique selling point another of the Cosy鈥檚 innovations, 鈥渢he luxurious Cosy coach鈥hich runs regularly at intervals of a quarter-of-an-hour to convey patrons to the top of the hill鈥 (Harrow Observer, 13 November 1931), is especially memorable. At a time when there was little or no public transport in the area, the Cosy鈥檚 shuttle-bus service spared filmgoers the energy-sapping trek up Harrow Hill to get to the cinema:

Olga Scowen: And erm, so聽anyway, when you wanted to go to the Cosy Cinema, you either had to walk or go聽on聽this little bus. And when we walked it was pretty steep up the last bit. And聽I can remember my sister pushing my mother–

Interviewer:听摆濒补耻驳丑蝉闭

OS:聽To get her up the hill. I mean we were that keen to go to the聽cinema that we’d do that.听(OS-95-190AT001, 6 July 1995)

The bus is remembered as offering a door-to-door service:

Nancy Carrington: [The bus] 鈥 used to come out of the Cosy cinema, all the way round Harrow, and all the way. Right the way round till they got down here and then they used to drop us off practically at our houses. (NC-95-196AT002, 25 July 1995)

And its circular route is keenly, if effortfully, recollected:

Ashley Bird: And I don’t know whether anybody told you, erm, when聽they changed it to the Cosy, they used to have a bus that served it only.

Interviewer:听搁别补濒濒测?

AB:聽It used to come down from the cinema, down聽Roxeth Hill, into what they call聽Roxeth Corner. Erm, and it used to pick up people there, come on down into聽Harrow in [pause 2 seconds] College Road now, pick up people there. And, [pause聽2 seconds] then go round, and stop outside the posh cinema, [laughs] in Harrow,聽the Coliseum, which is now a Gateway. And as kids we always, that was always聽very posh. You didn’t go there unless you were rich.

Int:听摆濒补耻驳丑蝉闭

AB:聽This little bus used to stop outside, pinch customers, from there,聽take them up the Hill.

Int:听搁别补濒濒测? So a door-to-door service?

AB:聽That’s right.

Int:听惭丑尘.

AB:聽Of course, people used to come out of work erm, Friday evenings, and do it,聽you know.

Int:聽So was that all included in the price of your ticket?

AB:聽Eh, it was a free bus, yes.听 (AB-95-198AT001, 12 July 1995)

– – – – – – – – – – – – – – – – – – – – – – – – – – –

Gwen Curnick:聽And that one, that one that was up on a hill. Eh, they used to run a free聽bus service.

Interviewer:听搁别补濒濒测?

GC:听驰别蝉. Erm, I don’t know whether you can remember just where it went but it,聽it —

Fred Curnick:聽It came down [pause 2 seconds] along the High Road, down聽Roxeth Hill, then聽along [pause 2 seconds] Lower Road, isn’t it?

GC:听驰别蝉.

FC:聽Along Lower Road, Bessborough Road to Roxborough Bridge, over Roxborough聽Bridge, down, erm, [pause 3 seconds] that one’s College Road, isn’t it?

GC:聽College Road, yes.

FC:聽To the foot of College Road, then it turned right, and actually went in聽front of the Coliseum.

GC:聽Coliseum. Yes, that’s right.

FC:聽Erm, and then back up the Hill, up Peterborough Road.

GC:听驰别补丑.

FC:聽Up to the top of the Hill and along the High Road again to the cinema.

Int:听础丑.

FC:聽And eh, it done that [pause 3 seconds] evening, didn’t it? It wasn’t, it, it聽kept going round like that and you could get on it anywhere and go up to the聽Hill or you could come down.听(GC-95-191AT001, 5 July 1995)

Sadly, there appears to be no photograph of the Cosy bus in existence. In 1934 the Cosy changed its name once again, becoming the Carlton, which closed in September 1937 under something of a cloud (Harrow Observer and Gazette, 4 August 1939). Today, the Elite, the Cosy, the Cosy bus and the Carlton are slipping from living memory into history, the only trace of their former existence being the name of the building that now occupies their site on High Street, Harrow-on-the-Hill: Carlton House.

Carlton House, Harrow-on-the-Hill, April 2023

_________________________________________________________________________

Materials from the Harrow local press are reproduced courtesy of Headstone Manor and Museum. 漏 London Borough of Harrow.

The interviews referred to can be accessed as both audio and transcript via the聽CMDA website.听聽These can also be consulted in physical form in the Cinema Memory Archive (CMA) at 51福利, by appointment with聽Special Collections.听

Other relevant CMA assets include:

  • Elizabeth Cooper and David Bednall, Pinner Streets Yesterday and Today. 1976. Pamphlet. AV-95-202PM002.
  • Arthur Dark,聽From Rural Middlesex to London Borough: The Growth and Development of Harrow Illustrated with Maps. Harrow, London Borough of Harrow, 1981. Book. AV-95-202BK001.
  • D.A. Pickrill, 鈥When film fans were spoiled for choice鈥, Harrow and Wembley Independent, 31 December 1980. Photocopy (PR-CMDA-CM-20001-RM-00021-000-00001).
  • P.J. Snell, A Pinner Miscellany. 1980. Pamphlet. AV-95-202PM001.
  • Harrow Coliseum in the mid 1920s. Postcard. VB-96-002PC012.
  • Rayners Lane c1928. Postcard. VB-96-002PC007.

If you wish to cite and/or re-use any of these materials, please consult聽 the聽CMDA website聽for information on聽copyright听补苍诲听using the materials聽from the collection and for a聽citation referencing guide

“A New World Opened”: CMDA’s Glasgow Homecoming

Sarah Neely and Annette Kuhn

While work on Cinema Memory and the Digital Archive continues, the conclusion of the project鈥檚 Arts and Humanities Research Council-funded period was marked by a programme of events held in Glasgow, the city where the project began life thirty years ago as Cinema Culture in 1930s Britain (CCINTB). In the early 1990s Glasgow Film Theatre (GFT) hosted a season of popular 1930s films, and a number of Glasgow鈥檚 surviving 1930s cinemagoers subsequently gave interviews about their youthful cinemagoing.

Popular Cinema in the 1930s, GFT Autumn 1992 [CC-19-000GF001]

Celebrations were launched at the GFT on Friday 7 October 2022 with 鈥楢n Afternoon at the Cosmo in the 1930s鈥, featuring a special matinee screening of Un Carnet de Bal (1937, dir. Julien Duvivier).听 Based on the play 鈥楲e P茅cheur d鈥檕mbres鈥 by Jean Sarment, Un Carnet de Bal is the story of a recently widowed socialite who finds her first dance card, from twenty years earlier. Seeking to satisfy her romantic curiosity, she sets out to track down her dance partners and find out what has become of them. Described by its director as 鈥渁 love story whose main character is the past鈥, Un Carnet de Bal proved a popular attraction for Glasgow鈥檚 filmgoers when the GFT (then known as the Cosmo) first opened its doors in May 1939.

Duvivier鈥檚 film was mentioned, unprompted, by two of CCINTB鈥檚 Glasgow interviewees, both of whom recall seeing it at the Cosmo–one of them on her wedding day:

鈥淔rench films were the great things聽when the Cosmo opened, and they were burgeoning in London at聽that time. There was a cinema, the Academy Cinema, which George Singleton who聽opened the Cosmo, he really learnt from. I think he got the same person to buy聽his films that bought films for the Academy. And things you read about, you聽know, suddenly they were available in Glasgow for the, for the first time. The聽opening film was a Julien Duvivier film,聽Un Carnet de Bal, it was an absolute,聽oh, a new world opened, you know, seeing that sort of thing.鈥 Tony Paterson, 29 November 1994 [TP-92-013AT001]

鈥淎ctually, I was at the opening of what was the Cosmo, it’s the Glasgow Film聽Theatre now. The, the owner of the Cosmo, one of his sons, was our best聽man, Jimmy Singleton. Erm, and when I got married and Jimmy was my husband’s聽best man, we got married very quickly, because the war started. 鈥 So the war was declared on the 3rd聽of September, and we got married on the 23rd. And we had a, just a very quiet聽wedding, with families, and from there we went to the Cosmo and we saw Un Carnet聽de Bal, eh, for the adults to go to that after the service, after we had a meal.听We got married about lunchtime, had lunch and then they took the, all the聽company to the cinema, to the Cosmo and saw Un Carnet聽de Bal. Including the聽minister! It was one of these cinemas, I don’t know if you know it, one聽of these films, where they were all going in and out each other’s bedrooms. My聽mum saying to the minister, 鈥淚 don’t think you knew that this聽sort of thing went on, did you?鈥 So after that the older folk all just聽went away and the younger ones went to the Plaza ballroom.鈥 Helen Smeaton, Glasgow, 23 January 1995 [HS-92-036AT001]

The GFT screening of Un Carnet de Bal was accompanied by a short film by CMDA artist-in-residence, Glasgow-based filmmaker Marissa Keating, about Thomas McGoran, one of the project鈥檚 original participants. Now in his nineties, Mr McGoran worked as a projectionist in Glasgow during the 1940s and was interviewed for CCINTB in November 1994 [TM-92-009AT001] and February 1995 [TM-92-009AT002]. After the screening a discussion took place between Mr McGoran and ourselves, with contributions from the audience.

鈥楢n Afternoon at the Cosmo鈥 was followed by a reception at Glasgow School of Art鈥檚 Reid Gallery. 鈥楪lasgow, Cinema City鈥, an exhibition running at the Gallery between 1st and 11th October, was developed in collaboration with CMDA and showcased several of the project鈥檚 creative outputs: a suite of drawings of Glasgow cinemas by Mr McGoran commissioned 聽for a new audio walking tour created by sound artist Suzy Angus; a selection of his architectural drawings of other Glasgow landmarks; , a digital installation from theatre company imitating the dog; and Marissa Keating鈥檚 film, which includes scenes capturing Mr McGoran working on his Glasgow cinema drawings.

Thomas McGoran’s drawing of the Paramount Cinema, Glasgow [TM-92-009-OA031]

When the exhibition ended Mr McGoran鈥檚 cinema drawings were moved to the Advanced Research Centre at the University of Glasgow where they remained on show until mid-December. The exhibitions attracted many visitors and a good deal of press coverage, including pieces in the Glasgow and .

Thomas McGoran鈥檚 artworks continue to draw admirers.听 Following a recent exhibition of his paintings at the Forge Shopping Centre in Glasgow鈥檚 East End, he was featured earlier this聽 month on ; and 鈥楪oing to the Pictures鈥, one of his cinema paintings, was selected to appear on rare bottles of .听 鈥淕lasgow was a movie-mad city鈥, Mr McGoran commented. 鈥淭here were cinemas everywhere, queued out, every day and every night of the week.鈥澛 Echoing sentiments expressed by many other CCINTB participants, he added, 鈥淕oing to the cinema was an escapist thing for us, you know? You used to go there, and you would be carted away to another world.鈥

‘Saturday Night at the Movies’ by Thomas McGoran [TM-92-009-OA001]


The interviews referred to can be accessed as both audio and transcript via the CMDA website. 聽Along with the other archival assets mentioned, these can also be consulted in physical form in the Cinema Memory Archive at 51福利, by appointment with Special Collections.听

If you wish to cite and/or re-use any of these materials, please consult聽 the CMDA website for information on聽copyright听补苍诲听using the materials from the collection and for a citation referencing guide